Josef Koudelka

Koudelka is possibly the single greatest influence on me as a photographer. I was shown his work by photographer and old friend of my fathers, Dick Swayne. I immediately fell in love with his work and, through the glimpses of his personality that shone through the images, with Koudelka himself and the lifestyle he led. What I saw helped me to understand where my own visions were coming from, where they lived within me and what I would need to do to set them free.

His images were raw and grainy and broke rules. Their composition was natural, yet they played with your eye. And they were taken by someone who seemed to live the life he photographed. He was there, amongst the tanks, he was a traveller sleeping in the fields, a nomad, an exile and a gypsy in spirit.

To me Koudelka and his work seemed to be everything I wanted to be as a teenager, both as a photographer and a person.

The best place to view Koudelka’s work is on the Magnum Website as he does not have a personal site.

Latest

Swarm

It was as simple as ‘get to the top of Finland and turn left’.  At least that is

Blink and you’ll miss it

Iceland. Never has the essence of a country so closely resembled the way in which I see the

Under the Stars in Madagascar

There are times when writing about memories from as far back as my eighteenth year feels wrong. How

Viewpoints

The Rooftop Collective exhibition edition VI Tempus Fugit. So they say. Here we are again, another Rooftop Collective

Memories

Revolution in the air

Three years at art college would not be complete without some politics, squatting and clashes with the police.

Confiscation in Aden

This was one of those moments when something inside you withers away and dies. I was only just

Dancers in the mist

Step after step we climb the steep mountain path, focusing, meditating, concentrating. The rain dripping through the trees

Parading through a warzone

India 19-03-11: “You cannot go down there.” And who was I to argue with two uniformed policemen? This

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Eternal Gratitude and Many Pints Owed

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Contact sheets: A necessary evil

The life cycle of an analogue print or photograph is fairly simple. You load the film into the

Blink and you’ll miss it

Iceland. Never has the essence of a country so closely resembled the way in which I see the

Trailer for the crowdfunding campaign

I absolutely adore this little film by Jim. I asked him to put something together with existing footage