The National Portrait Gallery: Irving Penn

Irving Penn: Portraits at The National Portrait Gallery until the 6TH of February 2010:

I went to see the exhibition today as I suddenly realised it would be finishing soon. It costs £10 and is very good value for money, especially as so much of the national portrait gallery is free so you can spend extra time wandering around the other exhibitions.

As I expected the selection of prints were fantastic – with plenty of well known classics – and the quality of the printing and presentation was brilliant. It was truly inspirational and humbling as a photographer to not only see and appreciate the artistic qualities of the work but the technical ones as well. Added to this was the fact that many of the prints were originals, printed at the time the photographs were taken. The overall tonality of the prints was perfect, though i have to say I was surprised and slightly disappointed there weren’t more platinum-palladium prints.

Personally speaking I would have loved to have seen somewhere some details about what film he used and what paper he printed on, but that is only me, as I’m sure the average viewer would not care. I also feel a small sense of unease when the window mount around the photograph is flush with the image as I feel I may be missing something underneath. I like to see the edge of the print, especially with someone like Irving Penn when the framing is so critical. But again it is a small criticism as this was not the case for all the photographs.

If ever anyone does not understand why a few of us still hang on to our film cameras they should go to exhibitions like this. The differences may seem subtle at first but believe me they are there.

Latest

Swarm

It was as simple as ‘get to the top of Finland and turn left’.  At least that is

Blink and you’ll miss it

Iceland. Never has the essence of a country so closely resembled the way in which I see the

Under the Stars in Madagascar

There are times when writing about memories from as far back as my eighteenth year feels wrong. How

Viewpoints

The Rooftop Collective exhibition edition VI Tempus Fugit. So they say. Here we are again, another Rooftop Collective

Memories

Putting Your Foot In It

Some things in life are constant. As babies we grow into childhood, dependant on certain things not changing.

Cycling into Hungary

Eighteen years old, Morgan and I had decided to cycle to Eastern Europe from Milan, our home at

Marjoram and Fireflies

At the end of a long day driving, walking and taking photographs around the north western mountains in

Five Minute Windows

After driving over 7000km in nine days around Scandinavia it was the morning of my last day. I

Randomly Selected

Child’s i Foundation

Working on Big Brother, even on a freelance basis as I have done since it started, you meet

Skills, Smells and Spells: Press

During the build up to the exhibition I made contact with some wonderful, passionate people: Peers, bloggers, journalists

Choreographed Papal baby blessings

The day of the Pope’s visit to London was all about the protests and marches for us. That

Madagascan Hissing Cockroaches

When you are on a 64 hour journey down the spine of Madagascar on the back of a